THRALL

THRALL is now in its final version, with its three modes, a configuration page for clock divisions and note priority, and MIDI Learn for the MIDI channel.

FOLLOWER Mode

In this mode, THRALL follows the incoming MIDI clock and converts it into DFAM-compatible clock pulses. The DFAM’s internal sequencer locks to the tempo of the DAW or groovebox. A reset signal is sent automatically on MIDI Start, ensuring clean phase alignment every time the transport starts. The sequence length can be adjusted, and swing can be applied to give the DFAM a more human groove. Four MIDI CCs are also available on the four CV outputs.

DRIVER Mode

This is where THRALL really changes the game. Each step of the DFAM sequencer is assigned to a MIDI note, allowing it to be played like a proper drum machine from any MIDI sequencer. Velocity is converted to CV, providing expressive control over the level of each hit. In addition to velocity, three MIDI CCs are also converted to CV, opening up real-time modulation directly from the DAW.

BASSLINE Mode

In this mode, THRALL turns the DFAM into a fully fledged melodic synthesizer. Pitch is sent as V/oct CV, in either monophonic or duophonic mode, with a trigger signal to fire the envelope. The DFAM’s internal sequencer remains synchronized to the MIDI clock. Two V/oct CV outputs are available, along with velocity and one MIDI CC, allowing the DFAM’s full sonic range to be explored beyond percussion.

With THRALL, the DFAM is no longer an isolated satellite in a hybrid setup, but a fully fledged instrument, seamlessly integrated into any MIDI-based production workflow.